The presence of the icons in the cinema of Andrei Tarkovsky
Article Sidebar
Main Article Content
Abstract
This communication was presented orally, with the support of the National Council for Scientific and Technological Development (CNPq), on June 3, 2018, during the Third Session (Section 3A) coordinated by Prof.Dr.Eric Lohr, in the international event Krakow Meetings: IX Krakow Conferences on Russian Philosophy, organized by the Pontifical University of John Paul II in Krakow, which took place from 03 to 06 June 2018, at the Benedictine Abbey of Tyniec, Krakow. The communication presented here is part of the reflections on the relationship between ethics, art, image, society and religiosity, which are the central axis of research supported by a grant (Productivity scholarship) from CNPq. In it, starting from a dialogue with the theology and philosophy of the icon of Pavel Florensky, we analyze the question of presence of the religious icons in the cinema of Andrei Tarkovski, its sense and meaning within the conception of image and art of the director. A vision marked by dialogue with God.
Downloads
Article Details
I (We) submit the present work, which is original and unpublished, authored by me (us), for evaluation by HORIZONTE – Revista de Estudos de Teologia e Ciências da Religião, and agree to grant the corresponding publication rights to Editora PUC Minas. I (We) declare that its content, in whole or in part, may be copied, distributed, edited, remixed, and used to create other works, in accordance with applicable copyright and related rights legislation, in any medium, print or electronic, provided that proper credit is given to the text and authorship, including reference to HORIZONTE.
I (We) further declare that there are no conflicts of interest of a personal, academic, institutional, or financial nature between the subject addressed, the author(s), and any companies, institutions, or individuals.
I (We) acknowledge that HORIZONTE is licensed under the Creative Commons Attribution 4.0 International (CC BY 4.0) license:
This work is licensed under a Creative Commons Attribution 4.0 International License.
Under this license, I (we) authorize, “to maximize the dissemination of information,” that others may share, distribute, remix, adapt, and build upon this work, including for commercial purposes, provided that appropriate credit is given to the original authorship.